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74 from Perseus Tools and Information

1. Monte Etna, Aetna: Italy [Atlas site] (21.68)

2. Etna Green: Indiana, United States [Atlas site] (16.78)

3. Mount Aetna: Pennsylvania, United States [Atlas site] (12.93)

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18 from Greek and Roman Materials

1. Etna [Reference article in Perseus Encyclopedia] (12.69)

2. Aetna [Reference article in Harry Thurston Peck, Harpers Dictionary of Classical Antiquities (1898)] (10.93)

3. AETNA [Reference article in Dictionary of Greek and Roman Geography (1854) (ed. William Smith, LLD)] (9.20)

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2 from American Memory: Upper Midwest

1. INSURE WITH THE AETNA THE BEST IS THE CHEAPEST [ SEE BACK. ] [Image] (3.29)

2. JOHN A. MYERS DETROIT SECRETARY AND TREASURER AETNA PORTLAND CEMENT CO., JOSEPH HARRIS DETROIT MANAGER HASTE-HARRIS BAKERY PRESIDENT DETROIT CREAMERY CO. [Image] (2.23)

1 from Hofstra University EPrint Archive

1. Lukesh, Susan S.; The NLa Muculufa Master' and Reconsiderations of Castelluccian Sequences: This paper discusses the identification of an Early Bronze Age vase painter and the possibile need to reconsider the sequences of Castelluccian culture that have been established. It asks if the time has come to abandon the idea of a general "Protocastelluccian" in which all fine ware is early (Proto) and the rest is later (standard) and if we might not be better served by identifying and studying local sequences built up as BernaboOE Brea build up the sequence for Aetna region. [Text] [View with Perseus links] (1.31)

1 from Humboldt University of Berlin, GERMANY, Document Server

1. Dombois, Florian; Uber Erdbeben - Ein Versuch zur Erweiterung seismologischer Darstellungsweisen: (in German) The dissertation in hand is engaged in the understanding and cognition of earthquakes. Essentially it is the attempt to draw near the natural phenomenon and to broaden our conception of it: (i) What actually is an earthquake? What makes it up? Why might it be fascinating? (ii) How were and how are earthquakes depicted in the textual and pictoral tradition in Europe? (iii) How is the form of depiction related to the content 'earthquake'? How does the phenomenon change when the form of depiction is altered? (iv) And last not least: which form seems to be most suitable for the depiction of an earthquake? According to the above questions 16 'earthquake-depictions' are sampled to investigate the relation between form and content. The attempt is made to provide a collection of great diversity in form: Today's usual manner of earthquake depiction is represented by the reaction, the earthquake of Kobe has received (§ 13 seismological article, § 14 press releases, § 15 earthquake simulator in the Natural History Museum London); then there are chosen: two samples of the Old Greek tradition (§ 1 myth of Poseidon, § 2 Aristoteles' 'Meteorologica'), further two from the Roman tradition (§ 3 Seneca's 'Naturales Quaestiones', § 4 'Aetna'), and two from the Christian tradition (§ 5 'Bible', § 6 Thomas Aquinas on Aristotle's 'Meteorologica'); furthermore there are some samples looked upon that show reaction on the Lisbon earthquake of 1755 (§ 8 shocking ballads, § 9 Voltaire, § 10 copper engravings of Le Bas, § 11 Immanuel Kant, § 12 John Michell). Last not least the science fiction novel 'Richter 10' by Clarke and McQuay (§ 16) is examined. Finally I complain that the manner of scientific depiction is 'un-sensual' and disposing. Therefore the dissertation is meant to flow into a counter-project. The last chapter scrutinizes the experience of the investigations before under a wider angle. In consequence I suggest to investigate an acoustical transponation of the earth's movements. An example of the new kind of sound that emerges from that is drawn from a 1994 earthquake in Chile. A range of further considerations show that not only the form of the acoustical transformation seems promising but also its content: far from the mainstream of seismological research the new acoustic form renders the question of earthquake prediction in a unusual but new and fairly easy way. All of this results in me hoping that the releasing of this new form of depiction triggers of a new field of scientific research at the same time. [Text] [View with Perseus links] (0.42)

11 from Library of Congress Open Archive Initiative Repository 1

1. Chadsey, John N..; Mount Aetna polka / [Text] [View with Perseus links] (5.29)

2. Aetna Life Insurance company.; Tally sheet 1884. The Aetna Life insurance is non-forfeiting and indisputable.: (in English) Insurance., Printed Ephemera Collection; Portfolio 18, Folder 28., Copy scanned: 2, 2 duplicate copies [Text] [View with Perseus links] (3.87)

3. Ebstein, John, designer., Gottscho-Schleisner, Inc., photographer.; Offices.: Aetna Industrial Corp., 565 5th Ave., New York City. Entrance foyer [Image] [View with Perseus links] (3.58)

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1 from OCLC Online Computer Library Center Theses and Dissertations Repository

1. Cohen, Steven Lee,--1951-; Factors influencing citizen participation and nonparticipation in a community-design project /--Steven Lee Cohen.: Photocopy of typescript., Thesis (M. S.)--Cornell University, Sept., 1976., Bibliography: leaves 143-147. [Text] (4.62)