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1 from Perseus Tools and Information

1. Monte Cimone: Italy [Atlas site] (10.97)

13 from Greek and Roman Materials

1. Cimon [Section in Plutarch, Lives (ed. Bernadotte Perrin)] (13.71)

2. CIMON [Reference article in A dictionary of Greek and Roman biography and mythology (ed. William Smith)] (12.26)

3. CIMON [Reference article in A dictionary of Greek and Roman biography and mythology (ed. William Smith)] (12.26)

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1 from Beazley Archive

1. Athens, Agora Museum, P27789: KRATER FRAGMENT; OSTRAKON, KIMON, WARRIOR (SHIELD), DRAPED FIGURE [Beazley Archive Vase] (10.01)

27 from CIMI Metadata Harvesting Working Group Demonstration Repository

1. Nishi and Co. (?); National doll - Japan: with glass or plastic inset eyes, other features painted. Black hair pulled into bun over red padding at top and decorated with flowers and bow, the rest hangs loose to shoulders. Kimono predominantly orange with large floral pattern and long flowing sleeves (uchikake or Hirosode?) Extra sleeve of gold braid on right arm(furisode?). Gold brocade obi tied at back with ends folded down Kimono padded at hem. Bare feet are attached to low black lacquer-look [Text] (6.73)

2. Utaemon NAKAMURA (Actor); Long Kimono. White, self-embossed, graduated to purple and partly lined with aqua. Has silver hand painted arcs and dots and stencilled gold and silver butterflies. Padded hem on both lining and Kimono. [Text] (6.02)

3. JOHN PARK; JOHN PARK; (in English) [Original no:429] ,Ida Field, formal indoor portrait of a woman dressed in a kimono. [Text] (4.33)

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1 from LSU Electronic Thesis and Dissertation Archive

1. Fukutomi, Satomi; Pot-au-feu Japan: Foods and Weddings: (in English) As Japan underwent rapid modernization and economic expansion after World War II, its cultural complex transformed into a postmodern mingling of Western and Eastern cultures, merging modern and antiquated tradition (Heine 1995:29). The Japanese have absorbed many Western traditions without immigrating, or living outside of their own (Eastern) society; Japanese marriage rituals exhibit such Eastern and Western cultural minglings. Wedding receptions, regarded as mini-drama, contain traditions of oldmaterial taboos, inedible wedding cakes, beer ceremony, the importance of the color white, as well as blended traditional-modern acts such as toasting champagne while wearing a kimono, and gift-giving rituals incorporating famous American jewelry store wares. Wedding businesses involve such rituals through the presentation of material cultures. This study seeks to understand changing Japanese behaviors and thoughts, asking why many Japanese choose to maintain aspects of tradition ceremony while engaging foreign elements of material culture in similar ritualsin this case, the food of a contemporary Japanese wedding (between the late 1990s and 2001). Additionally, French cuisine is a standard reception meal for modern Japanese weddings. Combinations of Japanese, Western and Chinese cuisines are also served in receptions, following French cuisine structure: hors duvre, soup, meat, fish and desserts. By way of the authors participant observation in and around wedding receptions and foodways of young Japanese females, this paper also examines diversity in Japanese individuals consciousness toward their own culture and heritage, focusing on the intentional incorporation of Western cultural influences into the traditional Japanese wedding ceremony. [Text] [View with Perseus links] (0.77)

3 from OCLC Online Computer Library Center Theses and Dissertations Repository

1. Valaskakis, Kimon Platon,--1941-; The influence of French nationalism of the balance of payments and balance of indebtedness of France, 1870-1914 /--Kimon Platon Valaskakis.: Vita., Photocopy of typescript. Ann Arbor, Mich. : Xerox University Microfilms, 1975. -- 22 cm., Thesis--Cornell University., Bibliography: leaves 245-252. [Text] (5.24)

2. Bournazos, Kimon,--1921-; A comparative study of the effects of vocational training on the career patterns of high school graduates /--by Kimon Bournazos.: Abstract., Photocopy of typescript., Thesis--Michigan State University., Bibliography : leaves 170-175. [Text] (4.68)

3. Bournazos, Kimon,--1921-; A comparative study of the effects of vocational training on the career patterns of high school graduates.: Microfilm of typescript. Ann Arbor, Mich., University Microfilms, 1963. 1 reel., Thesis--Michigan State University, 1963., Includes bibliography. [Text] (2.34)

1 from The American Numismatic Society

1. Silver Didrachm of Hierapolis-Bambyce (2000.3.1): Obverse: Female head facing in the manner of Kimon of Syracuse, Reverse: lion attacking stag; above winged solar disc. Circle of dots. [Text] [View with Perseus links] (3.66)

2 from The University of Michigan. University Library. Digital Library Production Service.

1. Cimon and Pericles. By the Right Rev. Connop C. Thirlwall, The Southern quarterly review. [Text] [View with Perseus links] (5.02)

2. Herbert, Henry William, 1807-1858.; The captains of the Old world; as compared with the great modern strategists, their campaigns, characters and conduct, from the Persian, to the Punic wars. / By Henry William Herbert.: Introductory.--Miltiades, the son of Cimon.--Themistokles.--Pausanias, the Spartan.--Xenophon, the Athenian.--Epaminondas, the Theban.--Alexander of Makedon.--Hannibal., Added t.-p. Lacking in U. of M. copy., buhr [Text] [View with Perseus links] (1.84)

2 from University of Illinois Library

1. Nugent, M.; My sweet Kimona [Text] (9.46)

2. unknown; Japanese Doll: Early American Museum; The doll's head, arms, legs, and feet are made of "gofun" or pulverized oyster shell over wood. The toes and fingers are tiny and distinct. The head has a black hair wig of horsehair or similar material. The face is Asian in appearance with molded almond shaped set-in shining eyes made of painted glass. The lips are open and painted red. The doll is clothed in a tan colored Japanese kimono with an ohi sash at the back. The skirt is light brown and the clothes are hand stitched. [Text] [View with Perseus links] (1.82)