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7 from Perseus Tools and Information

1. Astipalaia, Astypalaia: Greece [Atlas site] (27.34)

2. Nisos Astypalaia, Stampalia: Greece [Atlas site] (16.54)

3. Astypalaia: Greece [Atlas site] (13.23)

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10 from Greek and Roman Materials

1. ASTYPALAIA (Chora) Dodecanese, Greece. [Reference article in The Princeton Encyclopedia of Classical Sites (eds. Marian Holland McAllister, Richard Stillwell, William L. MacDonald)] (17.77)

2. Astypalaea [Reference article in Perseus Encyclopedia] (16.08)

3. Astypalaea (2) [Reference article in Perseus Encyclopedia] (12.86)

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5 from AIM25 - Archives in London

1. Bonten | Augusta | 1858-1930 | daughter of Sir August Manns, composer; BONTEN, Augusta (1858-1930): Papers of Augusta Bonten, 1882-1907, including two scrapbooks containing cuttings and printed ephemera relating to the musical activities and death of her father Sir August Manns, 1882-1907; her commonplace book, containing mainly late 19th century German poety; her Memoirs, proof copy published posthumously by her daughter Louise Bonten [1930]; Catalogue of the principal instrumental and vocal works performed at the Saturday concerts from 1855 to 1876 (Charles Dickens and Evans, Crystal Palace, 1876), with inscription by Manns, 1877; Catalogue of the principal instrumental and choral works performed at the Crystal Palace Saturday concerts from October 1855 to May 1895 (F M Evans, Crystal Palace, [1895]), two copies, one with numerous annotations [some by Manns]; The Bournemouth Municipal Orchestra, twenty-one years of municipal music, 1893-1914 by Hadley Watkins (Bournemouth, 1914). Letters (8) to Augusta Bonten, 1913-1914, mostly relating to her father's work: correspondents include Dr Frederick G Shinn, in regard to his lecture 'What the Crystal Palace has done for music in England' and Sophie Campbell, in regard to the recent death of her husband Sir Francis Joseph Campbell, former Principal of the Royal Normal College for the Blind. [Text] [View with Perseus links] (0.92)

2. Lasker | Vally | b 1885 | musician; LASKER, Valley (b 1885): Papers of Valley Lasker, 1917-1981, mainly comprising correspondence and papers relating to the works of Gustav Holst, including note from Holst to Lasker on arrangement of his 'At the Boar's Head' for piano, 1924; letter from Holst, recommending Lasker as teacher of music, 1929; postcard from Adrian Cedric Boult [1922]; undated letter from John Masefield, replying to telegram from Bishop of Chichester; manuscript and typescript of talk by Lasker on Holst's 'The Planets' for the BBC Third Programme, 1951; correspondence relating to the Whitsun festivals established by Holst at Thaxted in 'Gustav Holst' by Revd Jack |Putterill, Making Music, 1975; Chrissemas Day in the morning, piano solo by Holst (H165), autographed by Holst, 1927; correspondence relating to performance of the Holiday Singers for Lasker's 80th birthday, 1965; programmes of concerts featuring Lasker, including student concerts at Morley College, directed by Holst, 1917-1922, Society of Women Musicians, 1934, and Mrs F G Joseph's Orchestra, conducted by Lasker, 1930-1937, prizegiving at St Paul's Girls' School, 1932, tribute concert to Holst, 1951, with a few related reviews; correspondence on personal and musical matters to Lasker from Grace Hoskyns, 1929-1931;printed choral music, including works by Holst, most with signature of Holst. [Text] [View with Perseus links] (0.82)

3. Taylor | Samuel Coleridge- | 1875-1912 | composer; COLERIDGE-TAYLOR, Samuel (1875-1912): Letters (16) from Samuel Coleridge-Taylor to Edith Carr, (one dated 1897, remainder undated) mainly relating to his musical activities, publication of his recent works, repertoire for violin and orchestral parts for Carr's performance, the Handel Society; photocopy of photograph of Coleridge-Taylor, with dedication to Carr, 1902; printed letter (signed by Coleridge-Taylor) to a Mrs Prince inviting subscriptions for the Coleridge-Taylor Orchestral Concerts, Croydon, 1903-1904, with receipt for same, and photocopy of handbill for Central Croydon Choral Society concert featuring Coleridge-Taylor's cantata Meg Blane, 28 Mar 1903. [Text] [View with Perseus links] (0.75)

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63 from CIMI Metadata Harvesting Working Group Demonstration Repository

1. Four Choirs Festival: Fred WATSFORD (Conductor), J. G NEILSON (Conductor), Stefan HAAG (Conductor), Leslie CURNOW (Conductor); Programme, blue print on grey paper for "Four Choirs Festval" Choirs performing include "The Mitcham Choral Society", "The Northcote Choral Society", "Orphean Choristers" and "Victorian Railways Institute Choral Society". Melbourne Town Hall. 20 August 1949 [Text] (7.68)

2. Choral Association of Victoria, First Concert: Lawrence WARNER (Conductor), MELBOURNE TOWN HALL (Venue); Programme, yellow cover with black writing, concert presented by Choral Association of Victoria, choirs performing: Heidelberg City Choir, Presbyterian Oratorio Society, Zelman Memorial Symphony Orchestra. Melbourne Town hall, 13 November, 1947 [Text] (5.72)

3. Melbourne Symphony Orchestra, Great Performers Series.: Programme of the Melbourne Symphony Orchestra performing a choral series featuring Rosamund Illing, Suzanne Johnston and the Faye Dumont Singers. June 1995. [Text] (4.47)

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10 from Library of Congress Open Archive Initiative Repository 1

1. Palmer, H. R..; Concert serial of the church choral union /: (in un) [Text] [View with Perseus links] (4.25)

2. Bonawitz, J. H..; Le Choral, Ein'teste burg ist unser Gott / [Text] [View with Perseus links] (4.14)

3. Brahms, Joh..; Choral hymn /: (in un) [Text] [View with Perseus links] (4.14)

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145 from OCLC Online Computer Library Center Theses and Dissertations Repository

1. Seeley, Gilbert Stewart,--1938-; German Protestant choral music since 1925 /--by Gilbert Stewart Seeley.: Photocopy of typescript. Ann Arbor, Mich. : University Microfilms, 1970. -- 21 cm., Thesis--University of Southern California., Bibliography : leaves 331-342., "Appendix D : A catalogue of published twentieth-century German Protestant choral music." [Text] (13.31)

2. Pankratz, Herbert Raymond,--1918-; The male voice in German choral music of the renaissance.: Microfilm copy (positive) of typescript., Collation of the original, as determined from the film: xiii, 631 a?IJN. ports., facsims., music., Vita., Thesis (Ph. D.)--Northwestern University, 1961., Bibliography: leaves 603-629. [Text] (8.95)

3. Willoughby, Dale Edward,--1936-; Performance preparation of various choral works representing selected periods of music history /--Dale Edward Willoughby.: Vita., Thesis -- University of Miami., Bibliography: leaves 152-161. [Text] (7.57)

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16 from The University of Michigan. University Library. Digital Library Production Service.

1. OEdipus at Colonus: From the Choral Piece of Sophocles, Southern literary messenger; devoted to every department of literature and the fine arts. [Text] [View with Perseus links] (3.13)

2. Plumptre, E. H. (Edward Hayes), 1821-1891.; Electra. .: Preliminaries omitted., Transcribed from : The Tragedies of Sophocles. A New Translation, With A Biographical Essay, And An Appendix of Rhymed Choral Odes And Lyrical Dialogues. By E. H. Plumptre. London : Alexander Strahan, 1867., Available for non-commercial, internal use by students, staff, and faculty for academic and research purposes only., English verse drama database. Cambridge, England : Chadwyck-Healey Ltd., 1994. [Text] [View with Perseus links] (1.39)

3. Plumptre, E. H. (Edward Hayes), 1821-1891.; Oedipus The King. .: Preliminaries omitted., Transcribed from : The Tragedies of Sophocles. A New Translation, With A Biographical Essay, And An Appendix of Rhymed Choral Odes And Lyrical Dialogues. By E. H. Plumptre. London : Alexander Strahan, 1867., Available for non-commercial, internal use by students, staff, and faculty for academic and research purposes only., English verse drama database. Cambridge, England : Chadwyck-Healey Ltd., 1994. [Text] [View with Perseus links] (1.39)

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2 from University of Illinois Library

1. Wagner, R.; Choral [Text] (6.11)

2. Wagner, R.; Choral [Text] (4.14)

1 from Virginia Tech Electronic Thesis and Dissertation Collection

1. Basham, Dwight Cornell; The History of the Eastern Mennonite High School Touring Choir: 1917-1981: Dr. C. Vernon Burnsed, Dr. Kevin A. Fenton, Dr. Jesse L. Wilkins; (in English) For more than 35 years, the Eastern Mennonite High School Touring Choir has provided concerts for choral enthusiasts throughout the United States, Canada, and Europe. The present study documents the development, establishment, and growth of Touring Choir from its inception, through June of 1981: identifying (1) the events leading to the development of Touring Choir; (2) the philosophy and purpose of Touring Choir; (3) the directors of Touring Choir and their musical and professional backgrounds; (4) the contributions of each of the directors; and (5) the origin and development of the Senior Parent Weekend Concert, Tour Concert, Mennonite High School Music Festival, and Commencement Concert traditions. The study reports that the history of the Eastern Mennonite High School Touring Choir can be traced to the expressed desire of the schools founders in 1917 that vocal music be an integral part in the education of its students in order to enhance worship and singing in constituent churches. As touring choirs developed, the unique organization of Eastern Mennonite College and High School provided a basis for emulation by the high school when it became a separate organization during the 1960s, culminating in the establishing of Touring Choir in association with the Mennonite High School Music Festival. Marvin Millers leadership as Touring Choir director established the Senior Parent Weekend Concert, Tour Concert, Mennonite High School Music Festival, and Commencement Concert traditions which became the foundation of Touring Choirs activities during the 1960s and early 1980s. Implications of the study consider the importance of modeling for music education practitioners. The growth of the Eastern Mennonite High School music department and the success of the Eastern Mennonite High School Touring Choir during the combined tenures of Annetta Wenger Miller and Marvin L. Miller were characterized by an enthusiasm for the subject matter of music, high expectations and motivation of students by challenging them to sing music of enduring value in a variety of styles by master composers, placing responsibility for learning on students, a positive approach in teaching, care and concern for students as individuals, and an emphasis on the expressive aspect of music study. In addition, the results of the music program under Marvin Millers direction may have been due in part to his overall philosophy of music curriculum design that each student would understand the place of music in his or her life experience. [Text] [View with Perseus links] (0.33)