Critical Commentary act 4, scene 12, commline 21 Theobald: Ajax in Sophocles, when he is on the point of killing himself, addresses the sun in a manner not much unlike this. [lines 814-816. (1.16)
Sidney Lee, Dictionary of National Biography: Index and Epitome alphabetic letter D, entry 8550 philologist; brother of Sir Stuart Alexander Donaldson [q. v.]; sent to Trinity College, Cambridge, 1831; second in classical tripos, 1834; fellow and tutor of Trinity; published ‘New Cratylus,’ practically starting the science of comparative philology in England, 1839; D.D.; headmaster of King Edward's School, Bury St. Edmunds, 1841-55; published ‘Varronianus,’ advancing theory of the Gothic affinities of the Etruscans, 1844; resigned head-mastership, 1855; classical examiner to the university of London; completed K. O. Müller's ‘History of Greek Literature,’ 1858; the main author of the ‘Theatre of the Greeks’; edited Pindar's ‘Epinician Odes’ and the ‘Antigone’ of Sophocles; published ‘Jashar’ (1854), to prove that a book of Jashar constituted ‘the religious marrow of the scriptures. (7.93)
Sidney Lee, Dictionary of National Biography: Index and Epitome alphabetic letter F, entry 11097 miscellaneous writer; fellow of Trinity College, Cambridge, 1746-58; M.A., 1746; D.D., 1770; professor of Greek, 1750-9; vicar of Ware, 1759-77; preacher at St. Paul's, Covent Garden; king's chaplain, 1767; chaplain to the Royal Academy through influence of Johnson and Reynolds, and (1774) professor of ancient history; satirised in the ‘Rosciad’; translated Sophocles, 1759, Lucian, 1780, and Cicero's ‘De Natura Deorum,’ 1741; produced three plays, including the ‘Earl of Warwick’ (acted at Drury Lane 1766); edited ‘The Centinel,’ 1757-8, and contributed to Smollett's ‘Critical Review. (7.53)
Sidney Lee, Dictionary of National Biography: Index and Epitome alphabetic letter T, entry 30252 editor of Shakespeare; became an attorney, but soon abandoned the law for literature; published an ode on the union, 1707, and translations of Plato, AEschylus, Sophocles, Aristophanes, and Homer, poems, essays, biographies, and dramatic works; accused of scandalous plagiarism in respect of his ‘Perfidious Brother,’ 1715; published ‘Shakespeare restored, or a Specimen of the many Errors as well committed as unamended by Mr. Pope in his late Edition of this Poet,’ 1726, exposing Pope's incapacity as a critic; made the hero of the ‘Dunciad,’ and ridiculed in the ‘Miscellanies,’ 1727-8, at the same time that his best corrections were incorporated in Pope's second edition of Shakespeare; defended himself in ‘The Author,’ 1729; produced the ‘Double Falsehood,’ a tragedy, 1727, as a work of Shakespeare's, though probably from his own pen; edited the posthumous works of Wycherley, and contributed notes to Cook's ‘Hesiod,’ 1728; failed in his candidature for the poet laureateship, 1730; contributed valuable emendations on AEschylus, Athenæus, and other Greek writers, to ‘Miscellaneous Observations on Authors, Ancient and Modern,’ by Zachary Pearce [q. v.], 1731; published an edition of Shakespeare, 1734, which raised him to the front rank of Shakespearean commentators; pursued by poverty; wrote various tragedies and operas, and was engaged on an edition of Beaumont and Fletcher at the time of his death. [lvi. (5.96)
Memoirs of Jeremiah Curtin page 59 Later Brown wrote to me, saying: ‘When we received Professor Sophocles’ letter, I thought: “Curtin must be one of the strangest men in the world for Sophocles to want to make him a present of his Lexicon,[“] for he is so unspeakably proud of Greek that he thinks no man in America worthy of the book. (8.28)
Memoirs of Jeremiah Curtin page 58 About halfway between the old elm and the college grounds there was a house where Sophocles frequently visited. (4.14)