The Princeton Encyclopedia of Classical Sites (eds. Marian Holland McAllister, Richard Stillwell, William L. MacDonald) alphabetic letter I F. Schuchardt, Schliemanns Ausgrabungen (1891) 359ff; W. Vollgraff, “Fouilles d'Ithaque,” BCH 29 (1905) 153ffPI; W. Dörpfeld, Alt Ithaca (1927)MI; V. Bérard, Ithaque et la Grèce des Achéeens (1927); W. A. Heurtley, “Excavations in Ithaca, IV,” BSA 40 (1939-40) 1ff; M. Robertson, “Excavations in Ithaca, V,” BSA 43 (1948) 1ffPI; id., BSA 50 (1955) 37PI; H. Waterhouse, “Excavations at Stavros, Ithaca, in 1937,” BSA 47 (1952) 227ff; S. Benton, “Further Excavations at Aetos,” BSA 48 (1953) 255ffPI; D. Levi, EAA 4 (1961) 249-50; A. Wace-F. Stubbings, A Companion to Homer (1962) 398-421M. (21.51)
Sidney Lee, Dictionary of National Biography: Index and Epitome alphabetic letter D, entry 7765 painter; native of Ireland; came to London, 1813; A.R.A., 1825; left England owing to domestic troubles, and lived near the Lake of Geneva, 1829-41; excelled as a painter of ideal and poetic landscapes, among which may be mentioned ‘Sunset at Sea after a Storm,’ 1824, and ‘The Departure of Ulysses from Ithaca,’ 1854. [xiv. (3.64)
Sidney Lee, Dictionary of National Biography: Index and Epitome alphabetic letter G, entry 11572 archæologist and traveller; fellow of Emmanuel College, Cambridge; his ‘Topography of Troy,’ 1804, made in three days, alluded to by Byron's epithet ‘rapid Gell’ (originally ‘classic’); knighted after mission to Ionian islands, 1803; travelled in Greece with Edward Dodwell [q. v.] and published ‘Geography and Antiquities of Ithaca,’ 1807, and ‘Itinerary of Greece,’ 1810; published ‘Itinerary of the Morea’ (1817) and ‘Journey in the Morea’ (1823); gave evidence (1820) in favour of Queen Caroline, whose chamberlain he had been; after 1820 lived in Italy; published ‘Pompeiana,’ 1817-19, and ‘Topography of Rome,’ 1834; his original drawings preserved in the British Museum. [xxi. (3.55)
Walter Thornbury, A Narrative of its History, its People and its Places. Illustrated with Numerous Engravings from the Most Authentic Sources.: Old and New London: Volume 4 chapter 13, page 155 It was, no doubt, the interest excited by the early meetings of the Dilettanti Society which first woke up the Earl of Aberdeen, or, to give him Lord Byron's title- The travell'd Thane, Athenian Aberdeen, to write and publish his Enquiry as to the Principles of Beauty in Grecian Architecture; Sir William Gell to explain the Troad, Argolis, and Ithaca; whilst the Earl of Elgin, our ambassador at Constantinople, rescued from destruction and sent over to England that collection of Athenian sculpture which is known to every visitor to the British Museum as the Elgin Marbles. (1.00)