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2048 from Greek and Roman Materials

1. A Dictionary of Greek and Roman Antiquities (1890) (eds. G. E. Marindin, William Smith, LLD, William Wayte) alphabetic letter C
   1861, p. 143), and in the circus of Carthage (Falbe, L'emplacement de Carthage, p. 40). (27.87)

2. The Princeton Encyclopedia of Classical Sites (eds. Marian Holland McAllister, Richard Stillwell, William L. MacDonald) alphabetic letter C
   Audollent, Carthage Romaine (1901)P; G. C. Picard, Carthage (1964; Fr. ed. 1956); La Carthage de Saint Augustin (1965)PI; Lézine, Carthage—Utique (1968)PI; M. Fantar, Carthage, la prestigieuse cité Ellissa (1970). (24.67)

3. Dictionary of Greek and Roman Geography (1854) (ed. William Smith, LLD) alphabetic letter A
   Pun. 135; ) Such ruins of Carthage as remained were to be utterly destroyed, and men were forbidden, under a curse, to dwell upon its site; the cities which had taken part with Carthage were devoted to destruction, and their land was partly made (17.02)

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26 from The Works of Christopher Marlowe

1. Christopher Marlowe, Dido, Queen of Carthage act 4, scene 4, line 128
   Dido Ile hang ye in the chamber where I lye,
   Drive if you can my house to Italy:
   Ile set the casement open that the windes
   May enter in, and once againe conspire
   Against the life of me poore Carthage Queene:
   But though he goe, he stayes in Carthage still,
   And let rich Carthage fleete upon the seas,
   So I may have Aeneas in mine armes.
   (4.97)

2. Christopher Marlowe, Dido, Queen of Carthage act 3, scene 1, line 50
   Iarbus I goe to feed the humour of my Love,
   Yet not from Carthage for a thousand worlds.
   (4.33)

3. Christopher Marlowe, Dido, Queen of Carthage act 3, scene 4, line 52
   Dido What more then Delian musicke doe I heare,
   That calles my soule from forth his living seate,
   To move unto the measures of delight:
   Kind clowdes that sent forth such a curteous storme,
   As made disdaine to flye to fancies lap:
   Stoute love in mine armes make thy Italy,
   Whose Crowne and kingdome rests at thy commande:
   Sicheus, not Aeneas be thou calde:
   The King of Carthage, not Anchises sonne:
   Hold, take these Jewels at thy Lovers hand,
   These golden bracelets, and this wedding ring,
   Wherewith my husband woo'd me yet a maide,
   And be thou king of Libia, by my guift.
   (4.22)

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7 from Peachum's Garden of Eloquence

1. Henry Peachum., The Garden of Eloquence (1593): Schemas part Schemates Rhetorical, subpart The first order, section Figures of Omission, subsection Zeugma
   Another: The people of Rome destroyed Numance, wan Carthage, cast downe Corinth, overthrew Frigellas. (3.81)

2. Henry Peachum., The Garden of Eloquence (1593): Schemas part Schemates Rhetorical, subpart The first order, section Figures of Repetition, subsection Symploce
   By the increase of a word in the clause following, thus, Dido builded Carthage. (3.17)

3. Henry Peachum., The Garden of Eloquence (1593): Schemas part Schemates Rhetorical, subpart The second order, section Figures of Exclamation, subsection Onedismus
   An apt example of this figure Virgil hath elegantly expressed by Dido Queene of Carthage, upbraiding Aeneas with the great and manifold benefites which he had received of her, and accusing him of unkindnesse & cruelty now purposed toward her, and by comparing these together she increaseth her wrath & in the middest of her flaming furie the bursteth forth and exclaimeth against him thus: (2.51)

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25 from Renaissance Materials

1. Alexander Schmidt, Shakespeare Lexicon and Quotation Dictionary entry Of
   she was of Carthage, . (6.07)

2. E. A. Abbott, A Shakespearean Grammar section 4, subsection 11, paragraph 341
   . and waft her love
   To come again to Carthage.
   (6.07)

3. Alexander Schmidt, Shakespeare Lexicon and Quotation Dictionary entry Secret
   With to, == keeping the secrets of: confess to thee that art to me as s. and as dear as Anna to the queen of Carthage was, . (5.62)

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2 from The Tragedie of Anthonie, and Cleopatra

1. Critical Commentary act 1, scene 3, commline 124
   The Carthage queen. (3.81)

2. Appendices section FRENCH CRITICISM, subsection François-Victor Hugo
   The earth will tremble beneath the tramp of armies, the sea under the weight of fleets; nation will challenge nation and both rush at each other; Alexandria will hurl defiance at Carthage; Rome and Athens will fly at each other's throats. (0.74)

13 from The Bolles Collection on the History of London

1. Walter Thornbury, A Narrative of its History, its People and its Places. Illustrated with Numerous Engravings from the Most Authentic Sources.: Old and New London: Volume 1 chapter 21, page 253
   It is said that Turner, soured with the world, had threatened to make his shroud out of his grand picture of The Building of Carthage. (3.81)

2. Sidney Lee, Dictionary of National Biography: Index and Epitome alphabetic letter J, entry 15937
   traveller; F.S.A., 1787; published account of a journey from India overland, 1799; made excavations on site of Carthage and at Udena. [xxix. (3.43)

3. Sidney Lee, Dictionary of National Biography: Index and Epitome alphabetic letter T, entry 31015
   landscape-painter; son of a London barber; sold drawings at a very early age; entered Academy schools, 1789, and was admitted to Reynolds's studio; exhibited first drawing, view of Lambeth Palace at Royal Academy, 1790; contributed drawings to Walker's ‘Copper-plate Magazine’ and Harrison's ‘Pocket Magazine,’ and made sketching tours; paid visits to Thomas Monro (1759-1833) [q. v.], called by Ruskin Turner's true master; executed drawings in neutral tint; made tour in the north, which resulted in great development, and exhibited at the Royal Academy, 1798, ‘Morning on the Coniston Fells, Cumberland,’ and other pictures; exhibited Welsh subjects and his first naval battle-piece, ‘The Battle of the Nile,’ 1799; entered his ‘first style,’ 1800-20, in which he imitated various old masters, his work including Alpine scenes, 1803, after a tour abroad, ‘Shipwreck,’ 1805, ‘Sun rising through Vapour,’ 1807, ‘Crossing the Brook,’ ‘Dido building Carthage,’ 1815, also ‘Liber Studiorum,’ 1807-19; R.A., 1802; professor of perspective, 1808; visited Devonshire, the north, Scotland, the continent, and Italy; from 1820 to 1835 ceased to imitate, and aimed at ideal compositions; executed drawings for ‘Rivers of England’ and ‘Harbours of England,’ 1824; painted the ‘Bay of Baiæ,’ 1823, ‘Dido directing the Equipment of the Fleet,’ 1828, and ‘Ulysses deriding Polyphemus,’ sometimes regarded as his masterpiece, 1829; executed illustrations for Rogers's ‘Italy,’ 1830, and several other publications; visited south of France, Italy, Rome, 1828, and Venice, c. 1832; painted series of splendid pictures of Venice, and the famous ‘Fighting Téméraire,’ 1839; entered his ‘third period,’ 1835-45; travelled in France and Italy, 1836; exhibited ‘The Slave Ship,’ 1840; some of his later works severely criticised and ridiculed; his reputation greatly increased by publication of Ruskin's ‘Modern Painters,’ 1843; during next five years produced characteristic and inimitable works, including pictures from sketches in Switzerland, such as ‘The Splugen,’ Venetian subjects, such as ‘The Approach to Venice,’ 1843, together with ‘Snowstorm,’ 1842, and ‘Rain, Steam, and Speed,’ 1844, and attempts to represent vague thoughts in colour language, such as ‘War—the Exile’; completed his ‘third’ period, 1845, his later pictures including ‘Whalers,’ a new class of subject; buried in St. Paul's Cathedral. [lvii. (3.17)

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16 from American Memory: California

1. The lure of the past, the present and future; historical and descriptive observations and impressions of the past, present and future. By George W. Bryan page 25
   And now on the 15th day of September, 1853, six months from the time they left their pleasant and comfortable home at Carthage, Kentucky, we find the Bryan family at a mining place called Virginia flat in Eldorado county, California, with four yoke of oxen, two horses, a wagon, four children and three dollars in money. (3.52)

2. Reminiscences of a ranger; or, Early times in southern California. By Major Horace Bell page 130
   The glory of San Pedro, as that of imperial Rome, proud Venice and expectant San Diego, has departed, the author fears never to return; Carthage had her rival in Rome; San Pedro had a merciless rival in fair Wilmington, and now you behold a dilapidated sheep corral that seems to say in solemn silence, "Here stood San Pedro, the peerless. (2.86)

3. California: for health, pleasure, and residence. A book for travellers and settlers.By Charles Nordhoff page 2
   Carthage and her Remains: being an Account of the Excavations and Researches on the Site of the Phœnician Metropolis in Africa, and other Adjacent Places. (2.79)

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13 from American Memory: Upper Midwest

1. Michigan biographies, including Members of Congress, elective state officers, Justices of the Supreme Court, Members of the Michigan Legislature, Board of Regents of the University of Michigan, State Board of Agriculture and State Board of Education page 14
   He was married in Aug., 1887, to Mary M. Stepp, of Carthage, Ill. He was a candidate for the office of school inspector and member of the Common Council of Buchanan. (3.81)

2. Historical collections. Collections and researches made by the Michigan pioneer and historical society ... Reprinted by authority of the Board of state auditors. Volume 9 page 672
   Carthage water supply inspected, 199. (3.34)

3. Men of progress. Wisconsin. A selected list of biographical sketches and portraits of the leaders in business, professional and official life. Together with short notes on the history and character of Wisconsin page 165
   Soon after this he located at Carthage, Missouri, for the practice of his profession, and, while there, he, with a son of S. D. Carpenter, started the publication of The Carthage Patriot. (3.32)

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16 from American Memory: Chesapeake Bay

1. Austin Steward, Twenty-two years a slave, and forty years a freeman; embracing a correspondence of several years, while president of Wilberforce Colony, London, Canada West page 139
   The fall of Carthage bridge was indeed a calamity felt by the public generally, and sounded the death-knell of all future greatness to Carthage, or at least for some years to come. (3.88)

2. Rees Lloyd, The Richmond alarm; a plain and familiar discourse in the form of a dialogue between a father and his son; in three parts, page 27
   It appears the Carthaginians received seine tradition of Abraham's sacrificing his son Isaac, and from that came their custom of sacrificing human beings on certain occasions; and perhaps the pagans of America, got the like tradition from Carthage, which was a large and powerful city in Africa; for the Carthaginians used to send ships with some thousands of men and women, to the Canary islands, and some of them might lose their course and be driven by the winds to the coasts of South America, whence they could not return because of the trade wind: who can tell but the first population of South America was effected in this way? (3.43)

3. William Wirt, The letters of the British spy. By William wirt page 88
   It was when, with his faithful Achates by his side, he was surveying the works of art with which the palace of Carthage was adorned, and his attention had been caught by a representation of the battles of Troy. (3.09)

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6 from Beazley Archive

1. Beazley Archive Pottery Database entry 230608
   Carthage, Musee (8.08)

2. Beazley Archive Pottery Database entry 330388
   Carthage, Musee (8.08)

3. Beazley Archive Pottery Database entry 230316
   Carthage, Musee (8.08)

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