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931 from Greek and Roman Materials

1. Henry George Liddell, Robert Scott, A Greek-English Lexicon alphabetic letter *a, entry a)/numfos
   a bride that is no bride, unhappy bride, , cf. (29.11)

2. Henry George Liddell, Robert Scott, An Intermediate Greek-English Lexicon alphabetic letter *a, entry a)/numfos
   a bride that is no bride, unhappy bride, Eur.without bride or mistress, (27.69)

3. A Dictionary of Greek and Roman Antiquities (1890) (eds. G. E. Marindin, William Smith, LLD, William Wayte) alphabetic letter M
   ) presented by the bride to the bridegroom, who on the succeeding night did not sleep with his bride, but in his father-in-law's house, the bride being unveiled, and the (21.32)

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8 from The Works of Christopher Marlowe

1. Christopher Marlowe, Hero and Leander part 2, subpart sestyad 5
   On his right arme did hang a skarlet vaile,
   And from his shoulders to the ground did traile,
   On either side, Ribands of white and blew;
   With the red vaile he hid the bashfull hew
   Of the chast Bride, to shew the modest shame,
   In coupling with a man should grace a dame.
   (1.70)

2. Christopher Marlowe, Hero and Leander part 2, subpart sestyad 5
   Herewith the amorous spirit that was so kinde
   To Teras haire, and combd it downe with winde,
   Still as it Comet-like brake from her braine,
   Would needes have Teras gone, and did refraine
   To blow it downe: which staring up, dismaid
   The timorous feast, and she no longer staid:
   But bowing to the Bridegrome and the Bride,
   Did like a shooting exhalation glide
   Out of their sights: the turning of her back
   Made them all shrieke, it lookt so ghastly black.
   (1.66)

3. Christopher Marlowe, Hero and Leander part 2, subpart sestyad 5
   And after, with a virgin firmament,
   The Godhead-proving Bride, attended went
   Before them all; she lookt in her command,
   As if forme-giving Cyprias silver hand
   Gripte all their beauties, and crusht out one flame;
   She blusht to see how beautie overcame
   The thoughts of all men.
   (1.58)

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97 from Renaissance Materials

1. Alexander Schmidt, Shakespeare Lexicon and Quotation Dictionary entry Darkness
   2) death, in a physical and moral sense: I will encounter d. as a bride, . cf. (13.60)

2. Alexander Schmidt, Shakespeare Lexicon and Quotation Dictionary entry Lead
   I l. my bride along, . (8.52)

3. Alexander Schmidt, Shakespeare Lexicon and Quotation Dictionary entry A
   the maid is fair, a the youngest for a bride, . (7.29)

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5 from The Tragedie of Anthonie, and Cleopatra

1. Critical Commentary act 3, scene 3, commline 39
   and therefore less likely to hold Anthony's affection in thrall as long as would a blushing young bride. (5.92)

2. Critical Commentary act 4, scene 14, commline 120
   A Bride-groome in my death Steevens: Compare ‘If I must die, I will encounter darkness as a bride, And hug it in mine arms. (5.44)

3. Appendices
   Cleop. Haste, haste, both,
   And dress the Bride of Antony.
   (5.20)

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6 from The Tragedie of Coriolanus

1. William Shakespeare, Critical Commentary: The Tragedie of Coriolanus (ed. Horace Howard Furness, Jr., A. B.; Litt. D.) act 3, scene 2, commline 94
   Even the passage from King John may be intended to indicate a certain amount of wantonness on the part of Constance as the bride of Death. (6.08)

2. William Shakespeare, Critical Commentary: The Tragedie of Coriolanus (ed. Horace Howard Furness, Jr., A. B.; Litt. D.) act 4, scene 5, commline 123
   Besides he has already passed from his figure of speech as to his Bride crossing his threshold to this new-beloved warrior putting the first foot over, in the act of entrance, according to Roman custom, without touching the threshold itself, which it was unlucky to do. (4.01)

3. William Shakespeare, Critical Commentary: The Tragedie of Coriolanus (ed. Horace Howard Furness, Jr., A. B.; Litt. D.) act 1, scene 6, commline 39
   Notes], which I have embraced, as I think it much improves the sense and spirit, and conveys, too, the Poet's thought that Marcius was as sound in limb as when he went a wooing; and as merry in heart as when going to bed to his bride. (4.01)

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316 from The Bolles Collection on the History of London

1. Sidney Lee, Dictionary of National Biography: Index and Epitome alphabetic letter T, entry 30518
   actress; née Lewis; married John Thurmond the younger, dancer in Dublin; played the original Cosmelia in the ‘Doting Lovers,’ 1715, and other parts, at Lincoln's Inn Fields, London; at Drury Lane, London, 1718-32; played Desdemona, Lady Macduff, Lady Wronghead in the ‘Provoked Husband’ and numerous other parts, some original; acted, 1732, at Goodman's Fields, London, Almira in the ‘Mourning Bride,’ and again, 1734-7, at Drury Lane, London, Marcia in ‘Cato,’ Queen in ‘Henry VIII’ and Richard III,’ Lucy Lockit in the ‘Beggar's Opera,’ Zara in the ‘Mourning Bride,’ and Queen in Dryden's ‘Spanish Friar. (12.81)

2. Walter Thornbury, A Narrative of its History, its People and its Places. Illustrated with Numerous Engravings from the Most Authentic Sources.: Old and New London: Volume 5 chapter 17, page 207
   In this second church, which was dedicated to St. James, were married, on the 23rd of March, 1729, Hogarth and Jane Thornhill, the daughter of Sir James Thornhill; the marriage, it is said, was a runaway match, carried out much against the will of the bride's father. (8.52)

3. Thomas Allen, The City and Antiquities of London, Westminster, Southwark and Parts Adjacent: Volume 1 chapter 4
   In the year 1210, King John summoned a Parliament to meet him at St. Bride's, or at his palace in St. Bride's parish, London; where he exacted of the clergy and religious persons, the sum of one hundred thousand pounds, and forty thousand pounds in particular from the white monks. (6.36)

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199 from American Memory: California

1. A year of American travel. By Jessie Benton Fre´mont page 136
   The bride sat alone on her horse, under an arch of flowers and ribbons, which was carried by a groomsman on either side, the ends of the arch resting on their saddles, and on either side of them her bride-maids; the bridegroom, on an exceptionally fine horse, surrounded by his friends; and then the rest of the company, most of the men riding singly, but many riding as I have described, with a girl on the saddle--a bright glittering mass of ribbons, flowers, bright beads, gold-lace; the women in satin dresses and slippers, the men in the dress of the time in California, which is exactly that we see in Spanish pictures--short velvet jackets covered with braid and gold embroidery, the velvet trousers open over full white drawers, while a string of bells down the seam jingled even more than do the bangles of ladies in church. (7.43)

2. Eldorado, or, Adventures in the path of empire: comprising a voyage to California, via Panama; life in San Francisco and Monterey; pictures of the gold region, and experiences of Mexican travel. By Bayard Taylor page 31
   In the closing scenes, where Hildebrand entreats the heroine to become his bride, Mrs. Ray shone in all her glory. (7.11)

3. Between the gates. By Benjamin F. Taylor page 18
   When the leaf of the mulberry is spun into thread,
   Then the spinner is shrouded and the weaver is dead;
   And that shroud is unwound by the fingers of girls,
   And the films of pale gold clasp the spool as it whirls,
   As it ripens and rounds
   Like some exquisite fruit
   In the tropical bounds,
   In air sweet as a lute,
   Till the shroud and the tomb, Dyed in rainbow and bloom,
   Glisten forth from the loom
   Into garments of pride,
   Into robes for a bride,
   Into lace-woven air
   That an angel might wear. (6.24)

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214 from American Memory: Upper Midwest

1. A new home--who'll follow? or, Glimpses of western life page 71
   Not long since I gave a young bride the how d’ do in passing, and the reply was, ‘I'm pretty well, but my old man's sick a-bed. (6.40)

2. A canoe voyage up the Minnay Sotor; with an account of the lead and copper deposits in Wisconsin; of the gold region in the Cherokee country; and skethes of popular manners; &c. &c. &c. Volume 1. By G. W. Featherstonhaugh page 369
   If she has any particular good qualities, every member of the family spunges out of the futuro as much as he can get; and, indeed, it is stipulated that all the children in the family are to have something or other; and all this without the slightest return, for when the purchase-money is paid, the mother of the bride takes her to the tent she is to inhabit, with nothing but a dirty blanket thrown over her shoulders, and turns her into it in the same state that the worms go to their mates. (6.08)

3. Collections of the State Historical Society of Wisconsin. Volume 18 page 502
   July 22, 1799, after three publications of bans of marriage between Pierre La croix, son of age of Pierre La croix and of Therese La france, a native of Quebec now residing in this Parish, of the one part; and Marie McGulpin, minor daughter of Patrick McGulpin and Madeleine Crequi, a native of the Parish of Ste Anne du Detroit and now residing in this parish, of the other part—no impediment having been discovered—We, the Undersigned, Priest, received their mutual marriage consent _ast; _ast; _ast; in the presence of Patrick McGulpin, father of the bride, of Thomas Richardson, of jean baptiste La Borde, of jean baptiste Gatien, who signed with us on the day and in the year above written. (5.34)

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178 from American Memory: Chesapeake Bay

1. Mary Clemmer, Ten years in Washington. Life and scenes in the National Capital, as a woman sees them page xi
   The Capitol in Spring—A Magic Change—“More Beautiful than Ancient Rome”—Arrival of Visitors—A New Race—“Billing and Cooing”—Lovers at the Capitol—A Dream of Perpetual Spring—Spending the Honeymoon in Washington—Charmingly “Vernal” People—New Edition of David Copperfield and Dora—“Very Young”—Divided Affections: The New Bride—Jonathan and Jane—Memories of a Wedding Dress—An Interview with a Bride—“Two Happy Idiots”—A Walk in the City—Utilitarian Projects—President Grant—The Foreign Ambassadors—“Beau” Hickman—An Erratic Genius—Walt Whitman, the Poet—A “Loafer” of Renown—Poets at Home—Piatt—Burroughs—Harriet Prescott Spofford—Sumner and Chase—Foreign Attachés “on the Flirt”—Tiresome Men—Lafayette Square in the Morning—How to Love a Tree—“He Never Saw Washington,” 153 (9.88)

2. Mary Clemmer, Ten years in Washington. Life and scenes in the National Capital, as a woman sees them page 152
   The Capitol in Spring—A Magic Change—“More Beautiful than Ancient Rome”—Arrival of Visitors—A New Race—“Billing and Cooing”—Lovers at the Capitol—A Dream of Perpetual Spring—Spending the Honeymoon in Washington—Charmingly “Vernal” People—New Edition of David Copperfield and Dora—“Very Young”—Divided Affections: the New Bride—Jonathan and Jane—Memories of a Wedding Dress—An Interview With a Bride—“Two Happy Idiots”—A Walk in the City—Utilitarian Projects—President Grant—The Foreign Ambassadors—“Beau” Hickman—An Erratic Genius—Walt Whitman, the Poet—A “Loafer” of Renown—Poets at Home—Piatt—Burroughs—Harriet Prescott Spofford—Sumner and Chase—Foreign Attachés “on the Flirt”—Tiresome Men—Lafayette Square in the Morning—How to Love a Tree—“He Never Saw Washington. (7.62)

3. Mrs. Marian Campbell Gouverneur, As I remember; recollections of American society during the nineteenth century, by Marian Gouverneur page 115
   When we alighted from our carriage the day of the Monroe-Robinson wedding at Fanwood a young man whom I subsequently learned was Mr. Samuel L. Gouverneur, junior, a cousin of the bride, walked over to me, asked my name and in his capacity of groomsman inquired whether I would allow him to present me to the bride. (6.87)

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1 from Tufts University History

1. Department of Athletics, Athletics Rosters section 99
   Jay Bride 1992 (3.44)

92 from Beazley Archive

1. Beazley Archive Pottery Database entry 220544
   BD - WOMEN, ONE (BRIDE) SEATED ON CHAIR, EROS FLYING WITH WREATH, NIKE (7.11)

2. Beazley Archive Pottery Database entry 217186
   BD - WOMEN, ONE (BRIDE) SEATED ON CHAIR WITH LOUTROPHOROS, SOME WITH BOXES, NIKAI (7.11)

3. Beazley Archive Pottery Database entry 217053
   BD - BRIDE (WOMAN) SEATED WITH LOUTROPHOROS, WOMEN (7.11)

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