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Searched all Perseus collections for "two figures" 8455 results in 7 categories
Results summary (items)
Art objects (907)
Collections (1)
Images (314)
Reference articles (4)
Text sections (24)
Source citations (11)
Texts (7194)
907 Art objects
  1. Cambridge (MA), Harvard Univ., Arthur M. Sackler Mus, 1977.216.2397: ALABASTRON FRAGMENT; DRAPED FIGURE WITH KITHARA MOUNTING PLATFORM, DRAPED FIGURE LEANING ON STAFF, DRAPED FIGURES ON PLATFORM, COLUMN [Beazley Archive Vase] (6.11)

  2. Munich, Antikensammlungen, 1845: LEKYTHOS; HOPLITE-LEAVING-HOME, GROUP OF THE, PHANYLLIS GROUP; PALMETTE BETWEEN DRAPED FIGURES, WARRIOR BETWEEN DRAPED FIGURES WITH SPEARS [Beazley Archive Vase] (6.02)

  3. Bolligen, R. Blatter: CUP FRAGMENTS; CALLIOPE PAINTER; DRAPED FIGURE, SHIELD, DRAPED FIGURES, DRAPED YOUTH, DRAPED FIGURE WEARING CHLAMYS LEANING ON SPEARS [Beazley Archive Vase] (5.62)

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1 Collection
  1. Guggenheim, Solomon R.; Guggenheim Museum Bilbao, Spain: The Guggenheim Museum Bilbao opened in 1997. The collection of the Guggenheim Museum Bilbao focuses on mid-century works, and the inaugural exhibition places a strong emphasis on the art of the past four decades, including major examples of Pop Art, Minimalism, Arte Povera, and the respective developments of each successive generation. Featured artists include Carl Andre, Joseph Beuys, Gilbert and George, Yves Klein, Roy Lichtenstein, Agnes Martin, Mario Merz, Robert Morris, Bruce Nauman, Claes Oldenburg, and Andy Warhol. The exhibition also highlights contemporary Basque and Spanish art, including the work of Cristina Iglesias, Txomin Badiola, and Juan Munoz. Several galleries at the Guggenheim Museum Bilbao are devoted to displaying comprehensive collections of works. This commitment to exhibiting the full range of an artistas oeuvre correlates with the Guggenheim Foundationas extraordinary commitment to collecting and exhibiting works by key figures in the development of art of this century, including Beuys, Chagall, Kandinsky, Paul Klee, and Piet Mondrian. Among the artists represented by an in-depth collection or special commission are Anselm Kiefer, Francesco Clemente, Jenny Holzer, and Richard Serra., Avenida Abandoibarra, 2, 48001 Bilbao, Spain, Tuesday - Sunday 11 a.m. - 8 p.m., closed Monday, Adults ptas.700, Students & Seniors with valid I.D. ptas. 350, Children under 12 (accompanied by an adult) free, members free [Collection] (0.14)

314 Images
  1. Greek Head-dresses. (From ancient vases.)Greek Head-dresses. (From ancient vases.) The left-hand figure on the top wears a kekru/faloc| proper (reticulum). Of the two bottom figures, the one on the left hand wears a mi/tra, and the one on the right a sa/kkoc|. [Image] (5.24)

  2. Bacon, Francis; triptychs, crucifixions, reclining figures, slaughterhouses, carcasses,, meatworks, abattoirs, suffering, deaths, figurative art, distortion: Three Studies for a Crucifixion: Triptych. Left panel depicts two dressed men and two bloodied, skeletal forms. Central panel depicts bloodied, anthropomorphic figure lying on striped divan. Carcass hanging vertically in right panel, Oil with sand on canvas [Image] (4.25)

  3. podium or pedestal of which is carved with nearly 200 figures, life-size [Image] (4.21)

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4 Reference articles
  1. 64. 01.16 AMPHORA Man and woman at altar FIGURES 41 and 42 (SUPPL. PLATE 3) [Reference article in J. D. Beazley, L. D. Caskey, Attic Vase Paintings in the Museum of Fine Arts, Boston] (0.58)

  2. 47. 95.56 SMALL OINOCHOE Silen dancing FIGURES 30 and 31 [Reference article in J. D. Beazley, L. D. Caskey, Attic Vase Paintings in the Museum of Fine Arts, Boston] (0.56)

  3. 34. 01.8075 KYLIX Palaestric scenes PLATE XIII and FIGURES 25 and 26 [Reference article in J. D. Beazley, L. D. Caskey, Attic Vase Paintings in the Museum of Fine Arts, Boston] (0.50)

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24 Text sections
  1. FIGURES OF SENTENCES [Section in Henry Peachum., The Garden of Eloquence (1593): Schemas] (3.56)

  2. Figures of Repetition. [Section in Henry Peachum., The Garden of Eloquence (1593): Schemas] (3.27)

  3. FIGURES OF MODERATION. [Section in Henry Peachum., The Garden of Eloquence (1593): Schemas] (3.27)

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11 Source citations
  1. Robin Osborne; Classical Landscape with Figures: the Ancient Greek City and its Countryside: Osborne 1987 [Source citation] (1.20)

  2. P. de La Coste-Messeliere;Ch. Picard; Monuments figures: sculpture. Art archaique (suite): Les Tresors "Ioniques".: FdDelph 4.2 [Source citation] (0.96)

  3. A.M. Prukakis; The Evolution of the Attic marble Lekythoi and their Relationship to the Problem of Identifying the Dead Among the Figures Shown on the Funerary Reliefs: Prukakis 1971 [Source citation] (0.96)

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7194 Texts
  1. (in English) Ancestral figures, called Bioma, are made by the Gopi people of the Wapo and Era River areas and by the Naman of the Purari Delta, both in the Papuan Gulf. They are two dimensional wooden figures with relief carving and earth paints following the incised design. The arms and legs are clearly cut out and the legs are apart so that they may be placed in the eye sockets of wild pig skulls. The figures play an important role in the pig skull ceremony, where pigs are honoured as important trophies, second only to the human skull. The skulld and figures are displayed in the ceremonial house, which is an important social, religious, ceremonial and artistic centre. The ceremonial house serves as a meeting place between the human world and the ancestral or spirit world. It houses the sacred objects which are not to be seen by women and uninitiated men. In these societies, art, motif, and objects may be associated with ancestral spirits and closely related to ancestor worship. Each ancestral figure has its own name and represents a specific clan ancestor. There is a belief that individuals may may attain prosperity through their ancestors. The figures are meant to look after the well being of the people, give strength to the initiated, and promote the growth of crops. They play an important part in rituals and as such the ancestral figures are ceremonial items with significant religious content. [Text] (10.78)

  2. Denis, Pierre, fl. 1760-1779., Allard, Marie, 1738-1802., Vincent, maitre de danse., Landrin, fl. ca. 1760-1785.; [Contredanses; description des figures, plan des figures]: (in French) , This is a bound collection of over eighty-five late eighteenth-century contredanses and contredanse variants such as contredanse francaise; contredanse allemande; and contredanse anglaise, each choreographed by well-known dancing masters and dancers including Philip Desnoyers, Marie Allard, Landrin, and Denis. Each contredanse consists of a title page, a page for description of the figures, another for the floor plan, and a fourth page for the music. Although most contredanses were designed for four couples facing in a square, this collection contains dances for up to twelve performers. ... , v. 2. La belle-poule et la L'arguza / figures par Mr. Clerget -- Les deux jaloux et Les troqueurs -- L'automne et La camille / par Mr. Guillaume -- Potpourrie / par Mr Sicard -- L'insurgente et L'anglaise americaine / par Mr. Guillaume -- La chasse de Silvie / la [sic] figures de Mr. Lany -- La Voltaire & La Franklein -- La d'orvillier / par Mr. Lechard -- Le lundy & Le jeudy / par Mr. Ferret -- La petite charmante / par Mr. Feret -- La cleophille / la musique par Mr. Vincent -- Les bonnes amie / par Mr. Lechard -- La Louise / par Mr. Vincent -- La dubreuil / par M. Verdier ; la musique de M. Vincent -- La bagatelle / par Mr. Verdier -- La rose nouvelle -- Potpoury francais -- Les plaisirs de creteille / par Mr. Lechard -- La promenade du Colisee / de Mr. Joly -- Le cadrille de la puce / par Mr. Nivelon -- La puce / par Mr. Lequin -- L'ete / par Mr. Julien -- Les plaisir de Chenonceaux / Vincent -- La babiolle / par Mr. Vincent -- La chasse d'amour / l'air par Mr. Pertrand ; la figures par Mr. Magnetet -- La rejouissanse dartois / Mr. Denis -- Lajax -- L'amour queteur / arrangee par Mr. Ferret et La Gabrielle de Vergy -- La Pracontalle / Lechard -- Les pois rame / par Desnoyer -- Le bataillon carre / M. Deshayes -- ... , v. 1. Les plaisirs de l'Arquebuse / par Mr Dusuel -- La jasuel / la musique de Mr Jalodin ; la figure de Mr Dusuel -- Les quartres nieces / musique de Mr Feret ; par Mr Roger -- Les graces allemandes / par Mr Roger -- La nouvelle yorck / par Mr Roger (2 copies) -- La brandebourg / la musique de monsieur Jalodin ; par Mr Roger -- La Lucille / par Mr. Amateur (2 copies) -- L'etoile/ par Mr Battu (2 copies) -- La chasse de Diane / la musique de Mr Feret ; les figures de Mr Roger (2 copies) -- Le petite battu / par le sieur Battu fils -- La petite eclusel / par Courtat -- Les plaisirs de la chasse / par Mr Roger -- La nouvelle de Lille / par Mr Battu -- La Zelmire / par Mr Allard (2 copies) -- Tambourin allemand / par Battu (2 copies) -- La petite laitiere / par Mr Battu (2 copies) -- La petulante / par Mr Roger -- Les amusements du Wauxhall / par M. Roger -- Les soirees amusantes / par Battu -- La nouvelle ferret / par Mr Battu -- Le deserteur / par Mr Roger -- L'ouverture des fetes de Torre / par M. Roger -- La Robert / par Mr. Verdier -- La nouvelle Seguin / par Mr Verdier -- L'ouverture de fetes de Belleville / par M. Battu -- La nouvelle brunswick / par Mr Dusuel -- La nouvelle corbeil / par M. Battu -- La troyenne / par M. Roger -- La chasse / par M. Battu -- Les plaisirs de Tanlay / par M. *** -- [Text] [View with Perseus links] (8.47)

  3. donor; Carved Camel: Small animal figure of camel, carved of wood - Quondong.Carved by Mr E. Norman Thurley, formerly of Olinda. An engineer pattern maker by trade, he carved this figure and others in the Museum collection, in his spare time, using samples of different woods he found through his work.The figures were carved, quarter varnished and then polished, using tools from his pattern-makers' tool kit. Mr Thurley made 76 figures altogether; not all were donated to the Museum. The figures were on display in the donor's home. [Text] (6.16)

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