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Searched all Perseus collections for "Hesiod"	49 results in 5 categories
Included alternate terms: Hes

Results summary (items) Art objects (5) Images (2) Reference articles (2) Source citations (2) Texts (38)

5 Art objects

1. Boston (MA), Museum of Fine Arts, 98.887: PYXIS; HESIOD PAINTER; MUSES, ONE PLAYING LYRE, SOME WITH KITHARAI, ONE PLAYING PIPES, ONE WITH PHIALE AND SYRINX, ONE WITH FILLET, SOME SEATED ON STOOLS, DRAPED MAN OR YOUTH LEANING ON STAFF, (HESIOD OR ARCHILOCHOC ?) BULL, TREE, PLANTS [Beazley Archive Vase] (20.27)

2. Paris, Musee du Louvre, CA483: CUP STEMMLESS; HESIOD PAINTER; WOMAN (MUSE) PLAYING KITHARA, REEDS [Beazley Archive Vase] (11.65)

3. Paris, Musee du Louvre, CA482: CUP STEMMLESS; HESIOD PAINTER; WOMAN (MUSE) SEATED ON STOOL, PLAYING KITHARA, WREATHS SUSPENDED [Beazley Archive Vase] (10.72)

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2 Images

1. Paper Print Collection (Library of Congress), Thomas A. Edison, Inc., Porter, Edwin S., production, camera.; ... : The little train robbery /: ... [Image] [View with Perseus links] (0.59)

2. Paper Print Collection (Library of Congress), Thomas A. Edison, Inc.; ... : How a French nobleman got a wife through the New York Herald personal columns /: From Edison films catalog: The picture opens with a "Personal" advertisement which actually appeared in the New York Herald of August 25th, 1904: "Young French Nobleman, recently arrived, desires to meet wealthy American girl; object matrimony; will be at Grant's Tomb at 10 this morning, wearing boutonniere of violets." The first scene shows the young "Nobleman" in his dressing room. He picks up the "Herald," and finally locates his "ad" with evident satisfaction. He then fastens a large bunch of violets to the lapel of his coat and departs for rendezvous. The next scene shows the "Nobleman" at Grant's Tomb, pacing impatiently back and forth. Soon a handsome young lady passes him, and seeing the violets, mutual recognition quickly follows. Another lady soon arrives, and others in rapid succession until the young Frenchman is completely surrounded. He finally escapes and runs for his life down the Riverside Drive, pursued by a dozen or more of his fair would-be captors, a stout lady in white bringing up the rear. He leads the girls a merry chase over sand banks, fallen trees, through bushes, over rail fences, and finally escapes, as he thinks, by wading into a pond up to his waist. The girls finally reach the pond and stand on the bank, imploring him to come ashore. But the Frenchman pays no heed to them. Finally the stout lady, who has been last throughout the entire race, arrives upon the scene, and without hesitating for an instant she dashes into the water and finally captures first prize and a titled husband in the bargain, again proving the old adage that "The race is not always to the swift." 675 Ft. B. 81.00., Duration: 4:03 (part 1), 4:17 (part 2), and 2:35 (part 3) at 16 fps., Copyright: Thomas A. Edison; 26Aug1904; H49524., Filmed August 1904. [Image] [View with Perseus links] (0.35)

2 Reference articles

1. Hesiod [Reference article in Perseus Encyclopedia] (21.54)

2. Hesiod, Theog [Reference article in Dictionary of Greek and Roman Geography (1854) (ed. William Smith, LLD)] (14.98)

2 Source citations

1. Richard Janko; Homer, Hesiod and the Hymns: Diachronic Development in Epic Diction: Janko 1982 [Source citation] (9.06)

2. E. Simon; Pergamon und Hesiod: Simon 1975a [Source citation] (8.10)

38 Texts

1. Hesiod; Works and Days: (in English) [Text] (21.54)

2. Hesiod; Theogony: (in English) [Text] (17.23)

3. Hesiod; Works and Days: (in Greek) [Text] (17.23)

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