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Vase Catalog Number: Yale 1913.143

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Collection:Yale University Art Gallery
Summary:Poseidon and Theseus
Ware:Attic Red Figure Shape:Oinochoe
Painter:Name vase of the the Painter of the Yale Oinochoe Potter:
Context:From Athens Region:Attica
Date:ca. 470 B.C. - 460 B.C. Period:Early Classical
Dimensions:H 0.411 m.; D mouth 0.18 m.; D body 0.258 m.; D foot 0.175 m.
Primary Citation:ARV2, 503.25; Para, 381; Beazley Addenda 2, 251

Decoration:

Poseidon and Theseus face each other and shake hands. Poseidon stands at left, facing right, clasping the hand of Theseus, who faces him. Poseidon wears a himation with a dotted black border. He is bearded and wears a fillet, and his long hair is tied at the back. Theseus stands at right facing left. He is barefoot and wears travelling clothes, consisting of a petasos and a short chlamys with a black border, held together at the shoulder with a round fibula. In his left hand he holds two spears, their butts resting on the ground in front of him.

Scenes of Poseidon greeting Theseus usually represent the encounter in which Minos, the king of Crete, challenged Theseus to prove his claim that Poseidon was his father by retrieving a ring from the sea. Theseus dove into the sea god's kingdom and with the help of dolphins reached his undersea palace. There he was greeted by Poseidon and his wife Amphitrite and given a wreath and a mantle as tokens to show Minos. Most such scenes, such as Paris, Cab. Méd. 418, a calyx krater by the Syriskos Painter, allude explicitly to the myth, showing Amphitrite, Nereids, Poseidon's throne, or dolphins. These are missing from the Yale vase, suggesting that it refers to some other association of the hero and the god. Pollitt 1987 proposes that the inspiration for the scene may be historical rather than mythological and that the figures may be quasi-personifications. As Hdt. 7.189-192 tells us, Poseidon was viewed, along with Boreas, as having been responsible for the violent storm off Euboea that destroyed much of the Persian fleet in 480 B.C. This earned the seagod the epithet Soter and the grateful worship of the Athenians. Theseus, the embodiment of the Athenian state and heroic spectral warrior on the side of the Greeks at Marathon, here symbolizes, according to Pollitt, the new power of post-war democratic Athens. Theseus is supported on the vase by Poseidon, here the symbol of the maritime power of Athens, as Athens was by the source of this power, its fleet.

Collection History: Paul Arndt collection; purchased for Yale by Rebecca Darlington Stoddard

Condition: Losses along the breaks across Theseus's face and the midsections of both figures. Circle impressed on the right side of the vase from balancing it on a stand during firing. A prominent dot of black glaze on his left thumb may be accidental.

Shape Description:

Shape 5A oinochoe

Sources Used: Pollitt 1987

Other Bibliography: Beazley 1918, 61-62; U. Heimberg, Das Bild des Poseidon in der griechischen Vasenmalerei dissertation, Freiburg 1968; Neils 1987

Essay: Buitron No. 59

RED-FIGURE OINOCHOE (OLPE)

Lent by the Yale University Art Gallery; gift of Rebecca Darlington Stoddard (1913.143)

Height: 16 in. (40.6 cm.)

Broken and repaired.

Poseidon and Theseus. Poseidon, wearing a black-bordered himation and holding a trident, greets Theseus, dressed for travel in chlamys and petasos and holding two spears in one hand. Below, triple rightward meanders alternating with cross-squares; on the lip, egg pattern.

Attributed to the Painter of the Yale Oinochoe, his name piece [Beazley] ca. 470 - 460 B. C.

The broader arrangement of the figures and less schematic folds of the drapery are characteristic of the early free style. The subject is also treated in a new way. The story, as told by Bacchylides (Bacchyl. 17), took place during the voyage to Crete. Minos challenged Theseus to prove that Poseidon was his father by throwing his gold ring into the sea and ordering Theseus to find it. With the aid of his divine father, Theseus retrieved the ring. Earlier representations of the meeting of Theseus and Poseidon had included several of the denizens of Poseidon's underwater palace, such as Nereus and Amphitrite on a column-krater in the Fogg (Harvard 1960.339; ARV2, 274, no. 39) and Triton and the Nereids on a kylix in New York (New York 53.11.4; ARV2, 406, no. 7). On this vase, most of the mythological details have been eliminated, and the god and hero are shown much as an ordinary father greeting or bidding farewell to his son.

Bibliography: Beazley 1918, 61; Hoppin 1919, 2, p. 484, no. 6; Baur 1922, 96, no. 143; ARV2, 503, no. 25.

(Susan B. Matheson)

Keywords:

chlamys, himation, holding, petasos, Poseidon, spear, Theseus, Theseus with Poseidon, trident

Views:

19 Images

Archive NumberCaption
1990.02.0358Overview: handle to leftPhotograph by Maria Daniels, courtesy of the Yale University Art Gallery
1990.02.0359Overview: handle to rearPhotograph by Maria Daniels, courtesy of the Yale University Art Gallery
1990.02.0360Main panel: Poseidon greeting TheseusPhotograph by Maria Daniels, courtesy of the Yale University Art Gallery
1990.02.0361Main panel: TheseusPhotograph by Maria Daniels, courtesy of the Yale University Art Gallery
1990.02.0362Main panel: Theseus, upper halfPhotograph by Maria Daniels, courtesy of the Yale University Art Gallery
1990.02.0363Main panel: Theseus' headPhotograph by Maria Daniels, courtesy of the Yale University Art Gallery
1990.02.0364Main panel: Theseus' handPhotograph by Maria Daniels, courtesy of the Yale University Art Gallery
1990.02.0365Main panel: Theseus, lower halfPhotograph by Maria Daniels, courtesy of the Yale University Art Gallery
1990.02.0366Main panel: PoseidonPhotograph by Maria Daniels, courtesy of the Yale University Art Gallery
1990.02.0367Main panel: Poseidon, upper halfPhotograph by Maria Daniels, courtesy of the Yale University Art Gallery
1990.02.0368Main panel: Poseidon's headPhotograph by Maria Daniels, courtesy of the Yale University Art Gallery
1990.02.0369Main panel: Poseidon, lower halfPhotograph by Maria Daniels, courtesy of the Yale University Art Gallery
1990.02.0370Main panel: Poseidon's feetPhotograph by Maria Daniels, courtesy of the Yale University Art Gallery
1990.02.0371Main panel: tridentPhotograph by Maria Daniels, courtesy of the Yale University Art Gallery
1990.02.0372Main panel: clasped hands of Poseidon and TheseusPhotograph by Maria Daniels, courtesy of the Yale University Art Gallery
1990.02.0373Main panel: Theseus' spearsPhotograph by Maria Daniels, courtesy of the Yale University Art Gallery
1990.02.0375Main panel: decorative border at bottomPhotograph by Maria Daniels, courtesy of the Yale University Art Gallery
1990.02.0374Top rim: decorative borderPhotograph by Maria Daniels, courtesy of the Yale University Art Gallery
1990.02.0376Base of vesselPhotograph by Maria Daniels, courtesy of the Yale University Art Gallery
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