Pindar, Odes

Olympian Odes

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Olympian 10 For Hagesidamus of Western Locri Boys' Boxing 476 B.C.

[1] Read me the name of the Olympic victor, the son of Archestratus, where it has been written in my mind. For I owed him a sweet song, and I have forgotten. But come, Muse, you and the daughter of Zeus, unforgetting Truth: with the hand that puts things right, [5] keep from me the blame for lying, for wronging my friend. [7] Approaching from far away, the future has arrived and made me ashamed of my deep debt. Still, payment with interest has a way of dissolving the bitter reproach of men. [10] Now, just as the flowing wave overwhelms the rolling pebble, so shall I pay my account in full, in gratitude and friendship. [13] For unswerving Exactitude rules the city of the Western Locrians, and Calliope is important to them, and bronze-armored Ares. [15] Battle with Cycnus set back even Heracles, strong and violent; let Hagesidamus, victorious as a boxer at Olympia, offer thanks to Ilas, just as Patroclus did to Achilles. [20] With the help of a god, one man can sharpen another who is born for excellence, and encourage him to tremendous achievement. [22] Without toil only a few have attained joy, a light of life above all labors. The laws of Zeus urge me to sing of that extraordinary contest-place which Heracles founded by the ancient tomb of Pelops [25] with its six altars, after he killed Cteatus, the flawless son of Poseidon [28] and Eurytus too, with a will to exact from the unwilling Augeas, strong and violent, the wages for his menial labor. [30] Heracles lay in wait in the thicket below Cleonae, and in his turn overcame those men by the roadside; for once before those arrogant Moliones had destroyed his Tirynthian army, when it was encamped in the valley of Elis. [34] And indeed it was not much later before the man who betrayed his friend, [35] the king of the Epeians, saw his land with all its possessions, his own city, sink into a deep channel of destruction beneath unyielding fire and blows of iron. A fight with a stronger man [40] is impossible to push away. So even he, by his own senselessness, last of all found himself captured and did not escape sheer destruction. [43] But the brave son of Zeus gathered the entire army and all the spoils together in Pisa [45] and measured out a sacred precinct for his supreme father. He enclosed the Altis all around and marked it off in the open, and he made the encircling area a resting-place for feasting, honoring the stream of the Alpheus [49] along with the twelve ruling gods. [50] And he called it the Hill of Cronus; it had been nameless before, while Oenomaus was king, and it was covered with wet snow. But in this rite of first birth the Fates stood close by, and the one who alone puts genuine truth to the test, [55][55] Time. Time moved forward and told the clear and precise story, how Heracles divided the gifts of war and sacrificed the finest of them, and how he established the four years' festival with the first Olympic games and its victories. [60] Who won the first garland, with the skill of his hands or feet or chariot, setting the boast of victory in his mind and achieving it with his deeds? [64] In the foot race the best at running the straight course [65] with his feet was the son of Licymnius, Oeonus, who had come from Midea at the head of an army. In wrestling, Echemus won glory for Tegea. And the prize in boxing was won by Doryclus, who lived in the city of Tiryns. And in the four-horse chariot [70][70] the victor was Samos of Mantinea, the son of Halirhothius. Phrastor hit the mark with the javelin. Niceus sent the stone flying from his circling arm beyond all the others, and his fellow soldiers raised a sudden burst of loud cheering. [75] The lovely light of the moon's beautiful face lit up the evening [76] and in the delightful festivities the whole precinct rang with a song in praise of victory. Even now we will follow the first beginnings, and as a namesake song of proud victory, we will shout of the thunder [80] and the fire-wrought shaft of Zeus who rouses the thunder-clap, the burning bolt that suits omnipotence. Swelling music will answer the reed-pipe in songs [85][85] which have come to light beside famous Dirce, after a long time, but like a long-desired child from the wife of a man who has already reached the opposite of youth, who fills his father's mind with the warmth of love; since his wealth falling into the hands of a stranger who is master of another home [90] is the most hateful thing to a dying man. [91] And, Hagesidamus, when a man with fine achievements but no songs reaches the house of Hades, he has spent his strength and his breath in vain and gained only a short-lived delight with his effort. But on you the soft-singing lyre and the sweet flute scatter grace [95] and the Pierian daughters of Zeus nurture your wide fame. [97] While I, earnestly lending my hand, have embraced the famous tribe of the Locrians, showering with honey their city of fine men. And I praised the lovely son of Archestratus, [100] whom I saw at that time beside the Olympic altar, winning victory with the valor of his hands--beautiful in form, and blended with that youthful bloom which once [105] kept Ganymede from shameless death, with the help of Cyprian Aphrodite.

Further comments from Basil L. Gildersleeve, Pindar: The Olympian and Pythian Odes:
poem 10 (general note)
poem 10, line 1 (general note)
poem 10, line 1: ton Olumpionikan
poem 10, line 1: anagnôte
poem 10, line 105: euru
poem 10, line 13: hopa te
poem 10, line 13: koinon logon
poem 10, line 15 (general note)
poem 10, line 15: Atrekeia
poem 10, line 22: thêxais
poem 10, line 22: phunt' aretai
poem 10, line 25: pro
poem 10, line 25: biotôi phaos
poem 10, line 28: bômôn hexarithmon
poem 10, line 30: Kteaton
poem 10, line 30: amumona
poem 10, line 34: kai keinous
poem 10, line 34: Hêrakleês
poem 10, line 34: eph' hodôi
poem 10, line 40: stereôi
poem 10, line 45: hustatos
poem 10, line 49: stathmato
poem 10, line 49: alsos
poem 10, line 5: Alatheia
poem 10, line 5: orthai
poem 10, line 50: peri de paxais
poem 10, line 50: en katharôi
poem 10, line 55: Kronou
poem 10, line 60: alatheian etêtumon
poem 10, line 64: sun Olumpiadi
poem 10, line 7: enipan alitoxenon
poem 10, line 70 (general note)
poem 10, line 70: stadion . . . aristeusen
poem 10, line 70: euthun tonon
poem 10, line 80: huper hapantôn
poem 10, line 80: summachia
poem 10, line 85: ton enkômion amphi tropon
poem 10, line 90: en hapanti kratei . . . ararota
poem 10, line 95: neotatos to palin
poem 10, line 97: poimena

Cross references from Sir Richard Jebb, Commentary on Sophocles: Antigone:
* [631-780]

Cross references from Thomas W. Allen, E. E. Sikes, Commentary on the Homeric Hymns:
* [HYMN TO ZEUS]

Cross references from Walter Leaf, Commentary on the Iliad (1900):
5, 492 [Book 5 (E)]

Cross references from Basil Lanneau Gildersleeve, Syntax of Classical Greek:
36 [Adjectives]: to saphanes

Cross references from Basil L. Gildersleeve, Pindar: The Olympian and Pythian Odes:
* [Pindar's thought]
* [Pythian Odes]: neotatos to palin

This text is based on the following book(s):
Pindar. Odes. 1990.