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Andrew Stewart, One Hundred Greek Sculptors: Their Careers and Extant WorksYour current position in the text is marked in red. Click anywhere on the line to jump to another position.
As in Greek Sculpture Part III, here I include only the "hard" evidence for the lives and works of the men I have selected: texts, inscriptions, extant works, and attributions. For fuller descriptions of their styles (where the evidence permits) and for critical assessments of their aims and achievements, the reader is referred to the scholarship collected in the bibliographies appended to each entry, and to the relevant pages of Parts I and II of Greek Sculpture. Ancient writing about Greek sculpture was rich and extensive. The first attempt to gather all of it in one place, Franciscus Junius's De Pictura Veterum of 1637, included well over a thousand entries, and in 1868, Johannes Overbeck was able to increase this number to almost 2500; since then, the appearance of new texts (chiefly papyri) and further investigation of hitherto-overlooked ones have added quite a few more. Furthermore, archaeologists are continually unearthing new inscriptions either cut by or for sculptors (signatures) or mentioning them (dedications and decrees), quadrupling the number known to Emmanuel Löwy when he compiled his pioneering catalogue of them in 1885. Here, only the most important or revealing of these sources are translated. These The Annenberg CPB/Project provided support for entering this text. This text is based on the following book(s): Buy a copy of this text (not necessarily the same edition) from Amazon.com. |