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THE HARROW PAINTER, with a Note on the Geras Painter
Michael Padgett, Princeton Univeristy
5. Stylistic Characteristics Part 2
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Nude males are frequently shown infibulated: not only athletes and komasts,
but also Herakles.[23] On most nudes, the minor
muscles and those of the abdomen are drawn with dilute glaze
(Illustration 30). This in itself is unremarkable, but on
the painter's figures the abdominal muscles are often quite noticeable, set off
within a prominent oval, as on the boy on
Tampa 86.73
(Illustration 31). Sometimes these muscles are tapered or
foreshortened in an unsuccessful attempt to represent the twisting transition
to a frontal chest; compare the boy on the other Tampa oinochoe
(Tampa 86.72;
Illustration 32).
Ankles are normally indicated by a short,
vertical line (Illustration 33), sometimes with a slight
hook at the bottom (Illustration 34 and
Illustration 35).
Many women wear sakkoi, sometimes with a short flap covering the nape; e.g.
the Nereid on
Harvard 1960.339
(Illustration 36) and the seated woman on the hydria
Tampa 86.70 (ARV2, 276, 70;
Illustration 37). Several male gods wear embroidered
chitons, while the folds of women's
chitons range from the monotonous to the decorative; for the latter, note the
combination of relief lines, dilute lines, embroidered dots, and dilute wash
on the chiton of the Nereid on
Harvard 1960.339
(Illustration 38).
[23]Munich 2407 (ARV2, 274,
35).
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